Disney’s popularity and Mickey’s worldwide recognition as but a mere cartoon character outweighed any sense of his higher-brow cultural significance and influence. Disney’s crime, or at least, one at odds with classical notions of aesthetics, was to achieve astonishing commercial success with his art in his own lifetime using technology’s new tools, much as Da Vinci had rendered new dimensions in paint. Walt Disney gave us Pop Art (the maxim being that artists are always at least a decade ahead of the hoi polloi) generations before we slurped on Andy Warhol Campbell’s Soup Cans. Yet his creator, Walt Disney, has been a victim of the art world, in the way Leonardo da Vinci might have become, had the latter lived in the 20th century. Icon, logo, corporate identity symbol, and more, Mickey Mouse is arguably the most iconic symbol of all-time Continually fresh, unblemished by age and time, unburdened-mostly-by the baggage of Western history, Mickey’s shape is the visual semantic of 20th century existence and beyond. Here’s a closer look at why.įew graphic images are as memorable as the red, white, black, four-fingered, yellow-booted, white-gloved rodent created by Walt Disney. Walt Disney was the greatest creative mind since Leonardo Da Vinci.
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